Italian dubstep producer, Piezo, drops his debut release on J:Kenzo’s label, with two tracks of mutant dungeon halfstep. It’s all a little bit interstellar on both sides —‘Space Conjectures’ is more overtly glitchy and spacey, with washy synths and RJD2 orgasmic bleeps, whilst ‘Conquer’ brings in an Oriental melody line alongside the Hubble processing noises, all underpinned by a stepping drum pattern. Solid stuff.
Sasha plays a classic bait-and-switch trick with ‘Ether’ by opening on a hefty note of techno, before evolving into a swirly progressive monster in the second half, the brittle sounds giving way to delicious cyclones of melody, demonstrating again he’s not afraid at the moment to go for the jugular. There are elements of a return to the euphoric sounds that defined his earlier years, without the danger of it feeling retrospective.
A sleeper of a record from Colorize that warrants attention as a proper gem, ‘Back In My Life’ is a seductive slice of melodic progressive that’s brimming with ambient shimmers, dramatic drumrolls and huge basslines, packing a dancefloor punch without letting things spill gratuitously over into trance. Keep it in your box if you really want to take a house set up a notch.
An Eric Prydz remix is probably as far as you could imagine Kölsch steering things towards the stadiums, though the Danish producer is nonetheless famous for his unabashed affinity with emotion, and he does a bang-up job of striking the right balance with ‘Generate’. It’s a calculated remix that hits all the right points while still keeping things authentic, its bleepy electro stabs morphing into a rich framework where Kölsch summons genuine emotion from the vocals.